This is an informative article advising on a simple but effective way of opening the large joints of the body
Lately I’ve come to have a whole new appreciation for my shoulder blades, and in particular, for the thick part at the very top rim.
In the past, I always imagined my shoulder blades to be light and fragile, part of a gossamer shoulder girdle meant to float on top of my ribcage.
Now I feel the tops of my shoulder blades as bones with substance, strong supports for my upper back. As long as I stay connected to them, they can help me erase the effects of sitting at a desk, and of every other front-chest collapsing activity, from cooking to driving.
Even more magically, my new shoulder blade understanding has deepened my twists, enlivened my shoulder stand, and given me a new lift of my front chest in seated pranayama.
I have Mary Lou Weprin to thank for this. Mary Lou normally teaches in Berkeley, at The Yoga Room. But early in March, she travelled north to Nanaimo, B.C., for a weekend workshop.
On Friday evening, she taught a version of Baddha Konasana (bound angle pose) that involves leaning into a dense foam brick at the wall. She told us that she teaches this pose in every class, and true to her word, we worked on it every day for the three days of the workshop.
The demonstration looked disarmingly simple and relaxing. We were, after all, sitting down. But you’ll soon what makes this a worthy Five-Minute Yoga Challenge: it takes work to press the top shoulder blades into the brick and broaden them away from your spine, while simultaneously growing wider across your collar bones.
Try it once, and you’ll feel a new openness in your upper body. Make it a daily part of your practice, and you may be surprised by where it leads you.
Sit slightly away from the wall in your own version of Baddha Konasana, (bound angle pose). (Sit so that your knees are lower than your navel when your feet are pressed together. That might mean one blanket under your buttocks, or, if your hips and inner thighs are tight, a bolster propped up on two layers of chip foams.)
Place a dense foam brick at the wall, and lean back, so the top edges of your shoulder blades come to rest on the brick.
Make sure that your shoulder blades are moving away from your ears. One way to do this is to set your shoulders as you would in Savasana: bring one hand at a time to its own shoulder, with your elbow no wider than your shoulder. Then reach your elbow up to the ceiling. You should feel your shoulder blade move down and come into a cleaner contact with the brick. If you have trouble feeling the work when you try this pose, your shoulder blades are probably rounded forward, away from the brick.
Once your shoulder blades are set, lean back into the brick. It helps to press your hands into the floor to start, both to lift your side ribcage and to press back into the brick.
Broaden the tops of your shoulder blades out to the tips of your shoulders. Then take your awareness to your front body and broaden your collarbones out to the tips of your shoulders. You should feel your front chest lifting. Check that your top buttock rolls to your mid buttock, so your lower back stays long.
You may notice that your neck feels some strain in this pose, especially after a few moments of serious effort. Try dropping your chin toward your chest. You might be surprised how close you come to the chin lock (Jalandhara Bandha) you need for seated pranayama.
You can work your legs in the pose – your inner thighs stretch toward your inner knees and your outer knees pull back toward your outer hips – but don’t lose the focus on your broadening, lifting chest.
Stay in the pose until you have a firm imprint of the brick in your upper back. Five minutes would be a good goal. Then use your hands to bring your knees back together, and come out of the pose.
You can take this imprint with you into many other poses. All you have to do is inhabit the tops of your shoulder blades, and suddenly, as though you had a new invisible friend, there’s extra freedom in your twists, and more sensitivity and broadness in your shoulder stand – in fact in all poses in which the shoulders connect with the floor.
So lean into your shoulder blades. They can take it.